{"id":10326,"date":"2017-03-30T07:00:33","date_gmt":"2017-03-30T06:00:33","guid":{"rendered":"http:\/\/www.guiding-architects.net\/?p=10326\/"},"modified":"2020-06-16T15:07:57","modified_gmt":"2020-06-16T14:07:57","slug":"rcr-laureats-du-prix-pritzker-2017","status":"publish","type":"post","link":"https:\/\/old.guiding-architects.net\/fr\/rcr-laureats-du-prix-pritzker-2017\/","title":{"rendered":"Noir c’est noir \u2013 RCR, laur\u00e9ats du prix Pritzker 2017"},"content":{"rendered":"

Sombre et froid. Dur et abrasif. Ce n\u2019est pas le mat\u00e9riau qui connecte le lieu \u00e0 leur architecture. Parfois, c’est une fine pellicule de rouille, parfois le reflet du soleil couchant sur une surface miroitante.<\/p>\n

D\u00e9termin\u00e9, structur\u00e9, sans \u00e9quivoque. Le lieu est davantage atomis\u00e9 qu\u2019interpr\u00e9t\u00e9 ; coup\u00e9 au couteau, ouvertement tranch\u00e9, fragment\u00e9, expos\u00e9. De cette mani\u00e8re, les architectes de RCR studio architecture capturent instantan\u00e9ment le genius loci<\/em>.<\/p>\n

\"\u201cEl

\u201cEl Petit Comte\u201d kindergarten, 2010, Besal\u00fa, Girona, Spain, in collaboration with J. Puigcorb\u00e9. Copyright: Hisao Suzuki.<\/p><\/div>\n

Ils construisent des paysages, des chemins, des abysses, des fronti\u00e8res, des visions, des points focaux. Des espaces initialement s\u00e9par\u00e9s sont connect\u00e9s, d\u2019autres radicalement d\u00e9connect\u00e9s. La r\u00e9duction de la forme permet la r\u00e9v\u00e9lation de corr\u00e9lations. Leur architecture est radicale, mais ils y entrelacent les notions d\u2019art et de nature conformes aux principes architecturaux catalans depuis Gaud\u00ed. Leurs projets ne se r\u00e9sument pas \u00e0 des interventions dans un contexte donn\u00e9, ils deviennent souvent eux-m\u00eames paysages.<\/p>\n

\"Bell\u2013Lloc

Bell\u2013Lloc winery, 2007, Palam\u00f3s, Girona, Spain. Copyright: Hisao Suzuki.<\/p><\/div>\n

Des bo\u00eetes noires, de ce c\u00f4t\u00e9-ci du monde, ou en Belgique, ou ailleurs. Leur vocabulaire architectural est reconnaissable, applicable dans le monde entier. L\u2019approche du lieu ne s\u2019op\u00e8re pas par la patine d\u2019une surface ou l\u2019ambiance d\u2019un mat\u00e9riau, mais plut\u00f4t par l\u2019analyse de la typologie, de la topographie, de la fonction, de la spatialit\u00e9 et de l\u2019histoire existantes.<\/p>\n

Tout est forme, espace, lumi\u00e8re et ombre, \u00ab promenade architecturale \u00bb. On pense \u00e0 Richard Serra. Tout comme lui, ils posent une affirmation, provoquent d\u00e9bat par leurs id\u00e9es radicales. On se cogne aux murs et on reste clou\u00e9 sur place. \u00ab Je n\u2019avais jamais vu \u00e7a comme \u00e7a avant \u00bb, peut-on se dire, tandis que d\u2019autres auront envie de voir \u00ab \u00e7a \u00bb imm\u00e9diatement d\u00e9moli. Leurs b\u00e2timents ne laissent personne indiff\u00e9rent.<\/p>\n

Malgr\u00e9 leur pr\u00e9dilection pour la pr\u00e9cision et l\u2019analytique, leur complexit\u00e9 demeure. La biblioth\u00e8que Sant Antoni-Joan Oller, qui fut sertie dans un bloc d\u00e9j\u00e0 existant du quartier barcelonais Eixample, est \u00e0 la fois b\u00e9ance et jonction. \u00c0 Ripoll, l\u2019espace public Teatro La Lira, est \u00e0 la fois passerelle pi\u00e9tonni\u00e8re et aire de d\u00e9tente, foyer et lieu de passage. Cette approche de \u00ab la complexit\u00e9 et de la contradiction \u00bb, comme l\u2019a dit Robert Venturi, conf\u00e8re sans doute \u00e0 leur architecture sa force po\u00e9tique. L\u2019impression premi\u00e8re est trompeuse.<\/p>\n

\"\u201cLa

\u201cLa Lira Theater\u201d, public open space, 2011, Ripoll, Girona, Spain, in collaboration with J. Puigcorb\u00e9. Copyright: Hisao Suzuki.<\/p><\/div>\n

\u201cNous avons appris \u00e0 communiquer d\u2019un simple regard\u201d, dit Ramon Vilalta en \u00e9voquant son travail avec ses associ\u00e9s Carme Pigem et Rafael Aranda (dans cette vid\u00e9o<\/a>). Ce n\u2019est pas surprenant, le bavardage \u00e0 voix haute d\u00e9truisant la po\u00e9sie. Pour la m\u00eame raison, ils n\u2019ont pas install\u00e9 leur cabinet dans le bruit de la m\u00e9tropole barcelonaise. Au contraire, ils l\u2019ont nich\u00e9 dans l\u2019arri\u00e8re-pays catalan, au c\u0153ur des volcans \u00e9teints, au pied des Pyr\u00e9n\u00e9es.<\/p>\n

\"Rafael

Rafael Aranda, Carme Pigem and Ramon Vilalta. Copyright: Javier Lorenzo Dom\u00ednguez.<\/p><\/div>\n

Les trois architectes de RCR studio, laur\u00e9ats du Prix Pritzker 2017, ne cessent de nous \u00e9tonner, de se distinguer par la pr\u00e9cision de leur pens\u00e9e, leur facult\u00e9 \u00e0 perp\u00e9tuer leur h\u00e9ritage culturel, \u00e0 imprimer leur influence sur le monde. Une fois encore, ils mettent l\u2019accent sur les fondamentaux, sur Firmitas, Utilitas et Venustas (Solidit\u00e9, Utilit\u00e9, Beaut\u00e9 en fran\u00e7ais). Des architectes qui continuent de cr\u00e9er une architecture authentique. Noir c’est noir.<\/p>\n

Auteur: Hans Geilinger, de Guiding Architects Barcelona<\/a>.<\/p>\n

Premi\u00e8re image : \u201c\u2018<\/em><\/strong>Biblioteca Sant Antoni \u2013 Joan Oliver\u2019, library and senior citizens center, 2007, Barcelona, Spain. Copyright: Hisao Suzuki<\/em>\u201d.<\/p>\n

http:\/\/www.pritzkerprize.com\/<\/a><\/p>\n

http:\/\/rcrbunkafundacio.cat\/fons-rcr\/obres\/<\/a><\/p>\n

http:\/\/www.rcrarquitectes.es\/<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Sombre et froid. Dur et abrasif. Ce n\u2019est pas le mat\u00e9riau qui connecte le lieu \u00e0 leur architecture. Parfois, c’est une fine pellicule de rouille, parfois le reflet du soleil …<\/p>\n","protected":false},"author":2,"featured_media":10314,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[127],"tags":[728,726,288,725,723,715],"class_list":["post-10326","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-actualites","tag-architecture-espagnole","tag-carme-pigem","tag-pritzker","tag-rafael-aranda","tag-ramon-vilalta","tag-rcr"],"acf":[],"yoast_head":"\nNoir c'est noir \u2013 RCR, laur\u00e9ats du prix Pritzker 2017 - Guiding Architects<\/title>\n<meta name=\"description\" content=\"Avec RCR, laur\u00e9ats du Pritzker 2017, "les projets ne se r\u00e9sument pas \u00e0 des interventions dans un contexte donn\u00e9 \u2013 ils deviennent souvent eux-m\u00eames paysages"\" \/>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Noir c'est noir \u2013 RCR, laur\u00e9ats du prix Pritzker 2017 - 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