{"id":7976,"date":"2016-03-02T11:19:39","date_gmt":"2016-03-02T11:19:39","guid":{"rendered":"http:\/\/www.guiding-architects.net\/es\/abade-pedrosa-municipal-museum-between-1737-and-2016\/"},"modified":"2025-07-10T11:38:49","modified_gmt":"2025-07-10T10:38:49","slug":"abade-pedrosa-municipal-museum-oporto","status":"publish","type":"post","link":"https:\/\/old.guiding-architects.net\/es\/abade-pedrosa-municipal-museum-oporto\/","title":{"rendered":"Abade Pedrosa Municipal Museum – between 1737 and 2016"},"content":{"rendered":"

Santo Tirso City Hall invited both Portuguese Pritzker Prizes, \u00c1lvaro Siza (1992) and Souto de Moura (2011), to solve two problems: the renewal of Abade Pedrosa Municipal Museum, located in a Benedictine monastery, and the creation of a Welcome Center for the open-air International Museum of Contemporary Sculpture. <\/strong><\/p>\n

The monastic austerity felt by the architects on the first visit – the last day of 2009 – came to be the motto for the monastery’s renewal and for the design of the new building.<\/p>\n

The new Welcome Center was designed aside the Benedictine monastery, functioning as one entrance lobby for both programs, saving resources and allowing to reestablish the original symmetry of the main fa\u00e7ade of the monastery. The museological project follows this concept: exhibition structures do also step aside from the walls, allowing a complete reading of the space.<\/p>\n

\"Guiding\u00a0\u00a0\"Guiding<\/p>\n

This intervention is really a way of putting in dialogue different times and its testimonies. On one hand, the archaeological objects exhibited at Abade Pedrosa Museum are put in relation with the contemporary sculptures disseminated in the public space, which are, in turn, referenced in the Welcome Center.<\/p>\n

On the other hand, Souto de Moura recovered the essence of the XVIII century building, that at the same time creates a connection with the new one, white, clean parallelepiped, designed by \u00c1lvaro Siza, only possible by the close collaboration that both architects developed along the years. After all, Eduardo Souto de Moura began his career working in Siza\u2019s Office.<\/p>\n

\"Guiding\u00a0\u00a0\"Guiding<\/p>\n

For more information\u00a0www.cm-stirso.pt
\n<\/a><\/em><\/p>\n

Text and photos by: Cristina Em\u00edlia Silva<\/a>,\u00a0Cultour<\/a><\/p>\n

Please visit our Destination\u00a0PORTO\/LISBON<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"

Santo Tirso City Hall invited both Portuguese Pritzker Prizes, \u00c1lvaro Siza (1992) and Souto de Moura (2011), to solve two problems: the renewal of Abade Pedrosa Municipal Museum, located in …<\/p>\n","protected":false},"author":2,"featured_media":15957,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[128],"tags":[],"class_list":["post-7976","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noticias"],"acf":[],"yoast_head":"\nAbade Pedrosa Museum - Guiding Architects<\/title>\n<meta name=\"description\" content=\"Abade Pedrosa Museum intervention is really a way of putting in dialogue different times and its testimonies.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/old.guiding-architects.net\/es\/abade-pedrosa-municipal-museum-oporto\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Abade Pedrosa Museum - 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